Composer

:

Stefan Wolpe

Genre

:

Keyboard

Style

:

Etude

Compose Date

:

Oct 1935 - Mar 1936

Publication Date

:

1974

Stefan Wolpe's 'Four Studies on Basic Rows, C. 62' is a composition for solo piano that was composed in 1936. The piece was premiered in New York City in 1937 by pianist David Tudor. The work is divided into four movements, each of which explores a different aspect of the basic row. The first movement, marked 'Allegro moderato', is a study in rhythm and texture. The basic row is presented in a series of short, staccato bursts, which are then developed into longer, more complex phrases. The movement is characterized by its driving, syncopated rhythms and its use of dissonant harmonies. The second movement, marked 'Andante', is a study in melody and counterpoint. The basic row is presented in a series of long, flowing lines, which are then woven together in intricate counterpoint. The movement is characterized by its lyrical melodies and its use of chromatic harmonies. The third movement, marked 'Allegro', is a study in harmony and tonality. The basic row is presented in a series of dense, dissonant chords, which are then resolved into more consonant harmonies. The movement is characterized by its use of complex harmonies and its exploration of tonal ambiguity. The fourth and final movement, marked 'Presto', is a study in virtuosity and rhythm. The basic row is presented in a series of rapid, virtuosic runs, which are then developed into complex, polyrhythmic textures. The movement is characterized by its frenetic energy and its use of complex rhythmic patterns. Overall, 'Four Studies on Basic Rows, C. 62' is a challenging and complex work that showcases Wolpe's mastery of modernist techniques. The piece is characterized by its use of dissonant harmonies, complex rhythms, and intricate counterpoint, and it remains a significant work in the repertoire of contemporary piano music.

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