Composer

:

Marc-Antoine Charpentier

Genre

:

Choral

Style

:

Mass

Compose Date

:

1702

Average_duration

:

35:54

Movement_count

:

6

Movement ....

Assumpta est Maria, H. 11 is a sacred motet composed by Marc-Antoine Charpentier in the 17th century. The piece was composed in 1684 and premiered at the Church of Saint-Louis-en-l'Île in Paris, France. The motet is divided into three movements, each with its own distinct characteristics. The first movement is a grand opening, featuring a full choir and orchestra. The second movement is a more subdued and introspective section, featuring a solo soprano and a smaller ensemble. The final movement returns to the grandeur of the opening, with the full choir and orchestra returning for a triumphant conclusion. The piece is characterized by its use of polyphony, with multiple vocal lines weaving in and out of each other to create a rich and complex texture. Charpentier also employs a variety of musical techniques, such as chromaticism and dissonance, to create a sense of tension and release throughout the piece. Assumpta est Maria is a celebration of the Assumption of Mary, a Catholic holiday commemorating the belief that Mary was taken bodily into heaven at the end of her life. Charpentier's composition captures the joy and reverence of this occasion, with its grand choral and orchestral passages and its soaring soprano solo. Overall, Assumpta est Maria is a masterful example of Baroque sacred music, showcasing Charpentier's skill as a composer and his deep understanding of the religious themes and traditions that inspired his work.

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