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Dietrich Buxtehude
Praeludium for keyboard in G minor, BuxWV 163
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Works Info
Composer
:
Dietrich Buxtehude
Genre
:
Keyboard
Style
:
Prelude
Compose Date
:
ca. 1690
Average_duration
:
7:38
Dietrich Buxtehude's 'Praeludium for keyboard in G minor, BuxWV 163' is a keyboard piece that was composed in the late 17th century. The exact date of composition is unknown, but it is believed to have been written sometime between 1680 and 1690. The piece is one of Buxtehude's most famous keyboard works and is often performed by organists and harpsichordists. The 'Praeludium for keyboard in G minor, BuxWV 163' is a single-movement work that is characterized by its virtuosic keyboard writing and its use of counterpoint. The piece begins with a slow, mournful introduction that sets the mood for the rest of the work. The main section of the piece is a fast and lively fugue that showcases Buxtehude's skill as a composer and his ability to write complex and intricate music. The 'Praeludium for keyboard in G minor, BuxWV 163' is written in G minor and is in a binary form. The piece is divided into two sections, with the first section being the slow introduction and the second section being the fast fugue. The introduction is marked by its use of suspensions and dissonances, which create a sense of tension and unease. The fugue, on the other hand, is characterized by its use of imitative counterpoint and its rapid, virtuosic keyboard writing. The 'Praeludium for keyboard in G minor, BuxWV 163' was likely composed for the organ, although it can also be performed on the harpsichord or other keyboard instruments. The piece is notable for its technical demands, which require a high level of skill and dexterity from the performer. The use of counterpoint and the complex harmonic structure of the piece also make it a challenging work to perform. The 'Praeludium for keyboard in G minor, BuxWV 163' was likely premiered in Buxtehude's home city of Lübeck, where he was the organist at the Marienkirche. The piece has since become one of Buxtehude's most famous works and is considered a masterpiece of Baroque keyboard music.
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