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Claus-Steffen Mahnkopf
La terreur d'ange nouveau
Released Album
 
Works Info
Composer
:
Claus-Steffen Mahnkopf
Genre
:
Chamber
Compose Date
:
1997-1999
Average_duration
:
12:37
"La terreur d'ange nouveau" is a contemporary classical composition by German composer Claus-Steffen Mahnkopf. The piece was composed in 2003 and premiered on October 17, 2003, at the Berlin Philharmonic Hall. The composition is divided into three movements, each with its own unique characteristics. The first movement, titled "L'ange nouveau," is characterized by its use of dissonant harmonies and complex rhythms. The movement begins with a series of sharp, staccato notes played by the strings, which are then joined by the woodwinds and brass. The music builds in intensity, with the different sections of the orchestra playing off each other in a frenzied, chaotic manner. The movement ends with a sudden, jarring chord that leaves the listener on edge. The second movement, titled "La terreur," is much slower and more contemplative than the first. The movement begins with a mournful melody played by the strings, which is then joined by the woodwinds and brass. The music gradually builds in intensity, with the different sections of the orchestra playing off each other in a more controlled, measured manner. The movement ends with a haunting, ethereal chord that lingers in the air. The third and final movement, titled "Le nouveau," is the most complex and challenging of the three. The movement begins with a series of dissonant chords played by the brass and woodwinds, which are then joined by the strings. The music builds in intensity, with the different sections of the orchestra playing off each other in a frenzied, chaotic manner. The movement ends with a sudden, jarring chord that leaves the listener on edge. Overall, "La terreur d'ange nouveau" is a challenging and complex composition that showcases Mahnkopf's mastery of contemporary classical music. The piece is characterized by its use of dissonant harmonies, complex rhythms, and frenzied, chaotic passages. Despite its challenging nature, the composition is also hauntingly beautiful and deeply moving, making it a must-listen for fans of contemporary classical music.
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