Composer

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Thomás de Santa María

Average_duration

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0:43

Thomás de Santa María was a Spanish composer and music theorist who lived during the Renaissance period. He is known for his treatise "Arte de tañer fantasia" (The Art of Playing Fantasy), which was published in 1565. One of the pieces included in this treatise is "Del modo de tañer a corcheas" (On the Manner of Playing Sixteenth Notes). "Del modo de tañer a corcheas" is a short piece for keyboard instrument, consisting of a single movement. It is not clear when the piece was composed, but it was likely written in the mid-16th century. The piece is characterized by its use of sixteenth notes, which were a relatively new rhythmic device at the time. Santa María's treatise includes detailed instructions on how to play these notes, including fingerings and articulations. The piece itself serves as an example of these techniques in action. The piece begins with a simple melody in the right hand, accompanied by a bass line in the left hand. As the piece progresses, the right hand becomes more virtuosic, with rapid runs and trills. The left hand also becomes more active, with occasional leaps and flourishes. Overall, "Del modo de tañer a corcheas" is a charming and lively piece that showcases Santa María's skill as a composer and his knowledge of keyboard technique. It is a valuable historical document that provides insight into the development of keyboard music during the Renaissance period.

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