Composer

:

Dietrich Buxtehude

Genre

:

Choral

Average_duration

:

5:31

'Domine, salvum fac regum' is a sacred choral work composed by Dietrich Buxtehude, a German-Danish composer and organist of the Baroque era. The piece was composed in the late 17th century and is believed to have been premiered in Lübeck, Germany, where Buxtehude served as the organist at the Marienkirche. The work is divided into three movements, each of which is characterized by its own unique musical style and structure. The first movement is a grand choral setting of the text 'Domine, salvum fac regum' (Lord, save the king), which was a common prayer in the Lutheran liturgy. The music is written in a majestic, celebratory style, with rich harmonies and soaring vocal lines that reflect the grandeur of the text. The second movement is a duet for soprano and bass, set to the text 'Et exaudi nos in die qua invocaverimus te' (And hear us on the day when we call upon you). The music is more intimate and introspective than the first movement, with a gentle, flowing melody that is passed back and forth between the two voices. The harmonies are more subdued, creating a sense of quiet reverence. The final movement is a lively fugue, set to the text 'Gloria Patri et Filio et Spiritui Sancto' (Glory be to the Father, and to the Son, and to the Holy Spirit). The music is characterized by its intricate counterpoint and rhythmic complexity, with each voice weaving in and out of the texture in a complex dance of sound. The harmonies are rich and colorful, creating a sense of joy and exultation. Overall, 'Domine, salvum fac regum' is a masterful example of Buxtehude's skill as a composer and his deep understanding of the Lutheran liturgy. The work is characterized by its grandeur, intimacy, and complexity, and remains a beloved piece of sacred choral music to this day.

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