Composer

:

Heinrich Schütz

Genre

:

Choral

Style

:

Choral

Compose Date

:

1615 - 1618

Average_duration

:

5:10

Heinrich Schütz's 'Wo Gott der Herr nicht bei uns hält, SWV 467' is a sacred vocal work composed in the early 17th century. The piece was likely composed in the 1620s or 1630s, during Schütz's tenure as Kapellmeister at the court of Elector Johann Georg I in Dresden. The work is structured in three movements, each of which sets a different verse of Psalm 124. The first movement is a motet for five voices, with a lively and rhythmic opening section that gives way to a more contemplative middle section. The second movement is a duet for two sopranos, accompanied by continuo. This movement is more introspective and prayerful, with a slower tempo and more sustained harmonies. The final movement is a four-part chorale, which returns to the lively and rhythmic character of the opening movement. Schütz's setting of Psalm 124 is characterized by its expressive use of harmony and texture. The opening movement features frequent shifts between homophonic and polyphonic textures, as well as unexpected harmonic turns that create a sense of tension and release. The duet is notable for its use of dissonance and chromaticism, which convey a sense of longing and supplication. The final chorale is characterized by its lively rhythms and bright harmonies, which convey a sense of confidence and assurance in God's protection. Overall, 'Wo Gott der Herr nicht bei uns hält, SWV 467' is a masterful example of Schütz's skill in setting sacred texts to music. Its expressive use of harmony and texture, combined with its lively rhythms and confident character, make it a powerful expression of faith and devotion. The work likely premiered in the court chapel in Dresden, and has since become a staple of the choral repertoire.

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