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Antonio Zacara da Teramo
Sumite, karissimi, capud de Remulo, patres
Works Info
Composer
:
Antonio Zacara da Teramo
Genre
:
Vocal
Style
:
Vocal Music
Publication Date
:
1972
Average_duration
:
4:07
"Sumite, karissimi, capud de Remulo, patres" is a motet composed by Antonio Zacara da Teramo, an Italian composer of the late medieval period. The piece was likely composed in the early 15th century, although the exact date is unknown. It was likely written for a specific occasion, such as a religious ceremony or a courtly event. The motet is written for four voices, with the text in Latin. It is divided into three movements, each with its own distinct character and musical style. The first movement is a slow and solemn introduction, with the voices singing in unison. The second movement is more lively and rhythmic, with the voices weaving in and out of each other in intricate counterpoint. The third movement returns to the slower, more contemplative style of the first, with the voices coming together in a final, harmonious conclusion. One of the most striking characteristics of "Sumite, karissimi, capud de Remulo, patres" is its use of dissonance. Zacara da Teramo was known for his innovative use of harmony, and this piece is no exception. The voices often sing in close intervals, creating a sense of tension and unease that is resolved only when they come together in harmony. This use of dissonance was highly unusual for the time, and would have been seen as daring and experimental. Another notable feature of the motet is its use of text painting. Zacara da Teramo was a master of setting text to music in a way that emphasized its meaning. In "Sumite, karissimi, capud de Remulo, patres," he uses musical gestures to highlight key words and phrases in the text. For example, when the text speaks of the "heavens," the voices soar upwards in a high, ethereal melody. When the text speaks of "earth," the voices descend to a lower register, creating a sense of groundedness and stability. Overall, "Sumite, karissimi, capud de Remulo, patres" is a masterful example of late medieval music. Its innovative use of harmony and text painting make it a fascinating piece to study and perform, even today.
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