Composer

:

Max Reger

Genre

:

Chamber

Style

:

Sonata

Compose Date

:

Apr 10, 1915

First Performance

:

Oct 6, 1915

Average_duration

:

36:49

Movement_count

:

4

Movement ....

Max Reger's Sonata for violin and piano No. 7 in C major, Op. 139, was composed in 1915 and premiered on January 23, 1916, in Leipzig, Germany. The sonata is divided into four movements and has a total duration of approximately 30 minutes. The first movement, marked Allegro moderato, begins with a lively and energetic theme introduced by the violin. The piano responds with a more subdued accompaniment, and the two instruments engage in a lively dialogue throughout the movement. The second theme is more lyrical and introspective, with the violin and piano trading off melodic lines. The movement ends with a recapitulation of the opening theme, followed by a brief coda. The second movement, marked Largo, is a slow and mournful adagio. The violin introduces a haunting melody, which is echoed by the piano. The two instruments engage in a delicate and expressive dialogue, with the violin soaring above the piano's gentle accompaniment. The movement ends with a quiet and introspective coda. The third movement, marked Allegretto con grazia, is a playful and lighthearted scherzo. The violin and piano engage in a lively and syncopated dance, with the violin leading the way. The middle section of the movement is more subdued, with the piano taking the lead and the violin providing a delicate accompaniment. The movement ends with a return to the lively scherzo theme. The final movement, marked Allegro molto, is a fast and energetic finale. The violin and piano engage in a lively and virtuosic dialogue, with both instruments showcasing their technical prowess. The movement is marked by sudden shifts in tempo and dynamics, as the two instruments engage in a thrilling and exhilarating race to the finish. Overall, Reger's Sonata for violin and piano No. 7 in C major, Op. 139, is a complex and challenging work that showcases the composer's mastery of both the violin and piano. The sonata is marked by its intricate and expressive dialogue between the two instruments, as well as its use of sudden shifts in tempo and dynamics to create a sense of drama and excitement.

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