Composer

:

Orlande de Lassus

Genre

:

Choral

Style

:

Motet

Publication Date

:

1555

Average_duration

:

4:01

'Audi dulcis amica mea, M. xvii (S. i/99)' is a sacred motet composed by Orlande de Lassus, a prominent composer of the late Renaissance period. The piece was composed in the late 16th century and premiered in Munich, Germany, where Lassus was employed as a court musician. The motet is divided into three movements, each with its own distinct character and musical style. The first movement is a slow and contemplative setting of the text "Audi dulcis amica mea" (Listen, my sweet friend), which is sung by the choir in a homophonic style. The second movement is a lively and rhythmic setting of the text "Surge, propera, amica mea" (Arise, my beloved), which features imitative polyphony and a lively dance-like rhythm. The final movement is a joyful and celebratory setting of the text "Veni, dilecte mi" (Come, my beloved), which features a lively and energetic vocal and instrumental texture. The motet is characterized by Lassus' masterful use of harmony, counterpoint, and text painting. The composer uses a variety of musical techniques to express the meaning and emotion of the text, including chromaticism, dissonance, and sudden shifts in dynamics and tempo. The motet also features a rich and varied instrumental accompaniment, including violins, viols, and cornets, which adds to the overall richness and complexity of the piece. Overall, 'Audi dulcis amica mea, M. xvii (S. i/99)' is a masterful example of Renaissance sacred music, showcasing Lassus' skill as a composer and his ability to create music that is both technically complex and emotionally expressive.

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