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Sigismund Thalberg
Mi manca la voce from Rossini's Mosè, Op. 36/3
Works Info
Composer
:
Sigismund Thalberg
Genre
:
Keyboard
Style
:
Keyboard
Average_duration
:
3:27
"Mi manca la voce" is an aria from the opera "Mosè in Egitto" by Gioachino Rossini, with a transcription for piano by Sigismund Thalberg. The opera was composed in 1818 and premiered in Naples on March 5, 1818. The transcription for piano was made by Thalberg in the mid-19th century. The aria is part of the third act of the opera and is sung by the character of Elcia, who is mourning the loss of her lover, Osiride. The text of the aria expresses Elcia's despair and longing for her lover, as she laments the fact that she has lost her voice and can no longer sing. Thalberg's transcription for piano captures the emotional intensity of the aria, with its sweeping arpeggios and dramatic shifts in dynamics. The piece is in the key of E-flat major and is marked "Andante con espressione" (slowly, with expression). The transcription is divided into three main sections, each of which corresponds to a different part of the aria. The first section begins with a simple melody in the right hand, accompanied by a rolling arpeggio in the left hand. As the melody builds in intensity, the left hand takes on a more prominent role, with cascading arpeggios that create a sense of urgency and desperation. The second section of the transcription is more subdued, with a gentle melody in the right hand and a simple accompaniment in the left. This section provides a moment of respite from the emotional intensity of the first section, before building to a climax in the third section. The final section of the transcription is the most dramatic, with thundering chords and cascading arpeggios that capture the full force of Elcia's despair. The piece ends with a final, plaintive melody in the right hand, accompanied by a simple arpeggio in the left. Overall, Thalberg's transcription of "Mi manca la voce" is a powerful and emotional piece that captures the essence of Rossini's original aria. Its sweeping arpeggios and dramatic shifts in dynamics make it a challenging and rewarding piece for pianists to perform.
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