Composer

:

Robert Schumann

Genre

:

Keyboard

Style

:

Character Piece

Compose Date

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1848

Average_duration

:

2:20

Robert Schumann's 'Album für die Jugend No. 29 Fremder Mann, Op. 68/29' is a piano piece that was composed in 1848. It was premiered in the same year and is part of a collection of 43 short pieces that were written for children. The piece is in the key of C major and has a moderate tempo. The piece is divided into three distinct sections or movements. The first movement is marked 'Andante con moto' and is in 2/4 time. It begins with a simple melody played in the right hand, accompanied by a gentle arpeggio in the left hand. The melody is then repeated with a slightly more complex accompaniment. The second section of the movement features a more elaborate melody played in the right hand, while the left hand plays a simple accompaniment. The movement ends with a return to the original melody. The second movement is marked 'Allegro' and is in 3/4 time. It begins with a lively melody played in the right hand, accompanied by a simple bass line in the left hand. The melody is then repeated with a more complex accompaniment. The second section of the movement features a more elaborate melody played in the right hand, while the left hand plays a more complex accompaniment. The movement ends with a return to the original melody. The third movement is marked 'Andantino' and is in 2/4 time. It begins with a gentle melody played in the right hand, accompanied by a simple bass line in the left hand. The melody is then repeated with a more complex accompaniment. The second section of the movement features a more elaborate melody played in the right hand, while the left hand plays a more complex accompaniment. The movement ends with a return to the original melody. Overall, 'Album für die Jugend No. 29 Fremder Mann, Op. 68/29' is a charming and accessible piece of music that is well-suited for children and beginners. It showcases Schumann's gift for melody and his ability to create simple yet effective accompaniments. The piece is also notable for its use of repetition and variation, which help to create a sense of unity and coherence throughout the three movements.

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