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John Harbison
Symphony No. 2
Works Info
Composer
:
John Harbison
Genre
:
Symphony
Style
:
Symphony
Compose Date
:
1987
Symphony No. 2 is a four-movement orchestral work composed by John Harbison. It was commissioned by the Boston Symphony Orchestra and premiered on October 1, 1987, under the baton of Seiji Ozawa. The first movement, marked "Allegro," begins with a lively and rhythmic theme in the strings. The theme is then passed around the orchestra, with each section adding its own unique color and texture. The movement features a number of contrasting sections, including a lyrical second theme and a more subdued middle section. The movement ends with a return to the energetic opening theme. The second movement, marked "Adagio," is a slow and introspective piece. It begins with a haunting melody in the strings, which is then taken up by the woodwinds. The movement builds to a powerful climax before subsiding into a quiet and reflective coda. The third movement, marked "Scherzo," is a lively and playful piece. It features a number of rhythmic and melodic motifs that are passed around the orchestra. The movement is characterized by its energetic and syncopated rhythms, as well as its use of unconventional percussion instruments such as the marimba and vibraphone. The final movement, marked "Allegro con fuoco," is a fast and fiery piece. It begins with a driving rhythm in the strings, which is then taken up by the brass and percussion. The movement features a number of contrasting sections, including a lyrical second theme and a more subdued middle section. The movement builds to a powerful climax before ending with a triumphant coda. Overall, Symphony No. 2 is a dynamic and engaging work that showcases Harbison's skill as a composer. It features a wide range of musical styles and textures, from the energetic rhythms of the first and fourth movements to the introspective melodies of the second movement. The work is a testament to Harbison's ability to create music that is both intellectually stimulating and emotionally resonant.
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