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Anton Arensky
Préludes (12), Op. 63
Works Info
Composer
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Anton Arensky
Genre
:
Keyboard
Style
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Keyboard
Movement_count
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12
Movement ....
Anton Arensky's 'Préludes (12), Op. 63' is a set of twelve preludes for solo piano. The work was composed in 1903 and premiered the same year in Moscow. The preludes are divided into two books, each containing six preludes. The first book of preludes begins with a lively and energetic prelude in C major, marked Allegro con brio. The second prelude, in A minor, is more subdued and introspective, with a melancholic melody that is passed between the hands. The third prelude, in F major, is a lively and playful piece, with a syncopated rhythm and a catchy melody. The fourth prelude, in D minor, is a slow and mournful piece, with a haunting melody that is played in the left hand. The fifth prelude, in B-flat major, is a bright and cheerful piece, with a lively melody that is passed between the hands. The final prelude of the first book, in G minor, is a dramatic and intense piece, with a powerful melody that builds to a climactic finish. The second book of preludes begins with a gentle and lyrical prelude in E-flat major, marked Andante cantabile. The second prelude, in C minor, is a dark and brooding piece, with a somber melody that is played in the left hand. The third prelude, in A-flat major, is a bright and cheerful piece, with a lively melody that is passed between the hands. The fourth prelude, in F-sharp minor, is a slow and mournful piece, with a haunting melody that is played in the left hand. The fifth prelude, in D-flat major, is a bright and lively piece, with a playful melody that is passed between the hands. The final prelude of the second book, in B minor, is a dramatic and intense piece, with a powerful melody that builds to a climactic finish. Overall, Arensky's 'Préludes (12), Op. 63' is a diverse and engaging set of preludes for solo piano. The preludes range from lively and playful to dark and brooding, and showcase Arensky's skill as a composer and pianist. The work is a testament to the enduring popularity of the prelude form, and remains a beloved piece in the piano repertoire.
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