Composer

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Geirr Tveitt

Genre

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Keyboard

Style

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Keyboard

Average_duration

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1:55

Geirr Tveitt's 'Two-Part Inventions (12) for piano Op. 2, No. 6 in A sharp Phrygian mode' is a collection of twelve short pieces for solo piano. The work was composed in 1922 and premiered in Oslo, Norway in the same year. The 'Two-Part Inventions' are characterized by their contrapuntal texture, with each piece featuring two distinct voices that interweave and interact with each other. The sixth invention, in A sharp Phrygian mode, is particularly notable for its use of this mode, which gives the piece a distinctive and exotic flavor. The piece is divided into three movements, each with its own distinct character. The first movement is marked "Allegro moderato" and features a lively, dance-like rhythm. The two voices play off each other, with the upper voice often taking the lead and the lower voice providing a steady accompaniment. The second movement, marked "Andante con moto," is more lyrical and introspective. The two voices are more equal in this movement, with each taking turns playing the melody and providing the accompaniment. The Phrygian mode is particularly prominent in this movement, giving it a haunting and melancholy quality. The final movement, marked "Allegro vivace," is a lively and energetic dance. The two voices are once again in dialogue, with the upper voice taking the lead and the lower voice providing a driving rhythm. The movement builds to a frenzied climax before coming to a sudden stop. Overall, Tveitt's 'Two-Part Inventions' are a masterful display of contrapuntal writing and showcase the composer's skill in creating intricate and engaging textures for solo piano. The sixth invention, in A sharp Phrygian mode, is a particularly noteworthy example of Tveitt's unique style and demonstrates his ability to incorporate exotic modes and scales into his compositions.

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