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Michael Gordon
Anonymous Man
Released Album
 
Works Info
Composer
:
Michael Gordon
Genre
:
Choral
Compose Date
:
2017
Average_duration
:
57:12
Movement_count
:
9
Movement ....
'Anonymous Man' is a contemporary classical composition by American composer Michael Gordon. The piece was composed in 2002 and premiered on October 17, 2002, at the Brooklyn Academy of Music in New York City. The composition is a part of Gordon's larger work, 'Decasia', which is a multimedia composition that includes a film by Bill Morrison. 'Anonymous Man' is a single movement composition that lasts approximately 20 minutes. The piece is scored for a large ensemble consisting of 3 flutes, 3 clarinets, 3 saxophones, 3 trumpets, 3 trombones, 2 percussionists, and a string section. The composition is characterized by its use of repetitive patterns and minimalist techniques, which are common in Gordon's work. The piece begins with a slow and somber introduction, featuring a solo trumpet playing a simple melody. The rest of the ensemble gradually joins in, building the intensity of the piece. The composition then transitions into a faster and more rhythmic section, featuring repetitive patterns in the percussion and brass sections. The strings provide a contrasting melody, creating a sense of tension and release. As the piece progresses, the repetitive patterns become more complex and layered, creating a dense and chaotic texture. The percussion section becomes more prominent, driving the rhythm of the piece. The composition then transitions back to a slower and more somber section, featuring a solo clarinet playing a mournful melody. The piece ends with a quiet and reflective coda, featuring a solo violin. Overall, 'Anonymous Man' is a powerful and emotional composition that showcases Gordon's unique style and minimalist techniques. The piece is characterized by its use of repetitive patterns, contrasting melodies, and complex textures. It is a testament to Gordon's ability to create compelling and thought-provoking music that resonates with audiences.
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