Composer

:

John Field

Genre

:

Keyboard

Style

:

Nocturne

Compose Date

:

1834

Average_duration

:

3:35

John Field's Nocturne No. 13 in D minor, H. 59 Dernière pensée, was composed in 1835 and premiered in Paris the same year. The piece is divided into three movements, with the first and third being in D minor and the second in D major. The first movement begins with a melancholic and introspective melody played by the right hand, accompanied by a simple arpeggiated pattern in the left hand. The melody is then repeated with slight variations, and the left hand becomes more active, adding more complex harmonies. The middle section of the movement features a more agitated and passionate melody, with the left hand playing broken chords and arpeggios. The movement ends with a return to the opening melody, played softly and with a sense of resignation. The second movement is more lighthearted and playful, with a lively melody in D major played by the right hand, accompanied by a simple bass line in the left hand. The melody is then repeated with variations, and the left hand becomes more active, playing more complex harmonies and rhythms. The middle section of the movement features a more subdued and introspective melody, with the left hand playing broken chords and arpeggios. The movement ends with a return to the opening melody, played with a sense of joy and exuberance. The third movement begins with a mournful and introspective melody played by the right hand, accompanied by a simple bass line in the left hand. The melody is then repeated with variations, and the left hand becomes more active, playing more complex harmonies and rhythms. The middle section of the movement features a more agitated and passionate melody, with the left hand playing broken chords and arpeggios. The movement ends with a return to the opening melody, played softly and with a sense of resignation. Overall, Nocturne No. 13 in D minor, H. 59 Dernière pensée, is a beautiful and introspective piece that showcases John Field's mastery of the nocturne form. The piece is characterized by its melancholic melodies, simple yet effective harmonies, and delicate and expressive playing.

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