Composer

:

Girolamo Frescobaldi

Genre

:

Keyboard

Style

:

Partita

Publication Date

:

1627

Average_duration

:

5:42

Girolamo Frescobaldi was an Italian composer, organist, and keyboard player of the Baroque era. He was born in Ferrara, Italy, in 1583 and died in Rome in 1643. Frescobaldi was one of the most important keyboard composers of his time, and his music had a significant influence on the development of keyboard music in the Baroque era. Il secondo libro de toccate, canzone...di cimbalo et organo, No. 12, Ancidetemi pur d'Archadelt passaggiato is a piece for keyboard, specifically for harpsichord or organ. It was composed by Frescobaldi and was published in his second book of toccatas, canzonas, and other keyboard pieces in 1627. The piece is based on a madrigal by Jacques Arcadelt, a French composer of the Renaissance era. The piece is in three movements, with the first and third movements being toccatas and the second movement being a canzona. The toccata is a virtuosic keyboard piece that is characterized by its fast and improvisatory style. The canzona, on the other hand, is a more structured piece that is based on a pre-existing melody. The first movement of Ancidetemi pur d'Archadelt passaggiato is a toccata that is marked by its fast and virtuosic style. The piece is in D minor and is characterized by its use of rapid arpeggios and scales. The second movement is a canzona that is based on the melody of the madrigal by Arcadelt. The piece is in G minor and is characterized by its contrapuntal texture and its use of imitative polyphony. The third movement of Ancidetemi pur d'Archadelt passaggiato is another toccata that is marked by its fast and virtuosic style. The piece is in D minor and is characterized by its use of rapid arpeggios and scales, as well as its use of chromaticism and dissonance. Overall, Ancidetemi pur d'Archadelt passaggiato is a virtuosic and challenging piece for keyboard that showcases Frescobaldi's skill as a composer and keyboard player. The piece is characterized by its fast and improvisatory style, its use of pre-existing melodies, and its contrapuntal texture.

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