Composer

:

Francesco Canova da Milano

Genre

:

Chamber

Style

:

Chamber Music

Average_duration

:

2:11

Francesco Canova da Milano was an Italian lutenist and composer who lived during the Renaissance period. He was known for his virtuosic lute playing and his compositions for the instrument. One of his most famous works is the Fantasie No. 36 De mon triste. The Fantasie No. 36 De mon triste was composed in the 16th century, although the exact date is unknown. It is believed to have been written sometime between 1536 and 1547. The piece is a solo lute composition and is one of Canova da Milano's most popular works. The Fantasie No. 36 De mon triste is divided into three movements. The first movement is marked "Allegro" and is in a lively and energetic tempo. It features fast runs and intricate fingerwork, showcasing the lutenist's technical skill. The second movement is marked "Adagio" and is slower and more contemplative. It features a beautiful melody that is played with great expressiveness. The third movement is marked "Allegro" and is similar in tempo and character to the first movement. It features more fast runs and intricate fingerwork, bringing the piece to a thrilling conclusion. One of the characteristics of the Fantasie No. 36 De mon triste is its use of ornamentation. Canova da Milano was known for his use of ornamentation in his compositions, and this piece is no exception. The lutenist uses trills, mordents, and other embellishments to add interest and complexity to the music. Another characteristic of the piece is its use of harmony. Canova da Milano was known for his use of complex harmonies in his compositions, and this piece is a good example of that. The lutenist uses chords and progressions that are unexpected and unusual, adding to the interest and beauty of the music. Overall, the Fantasie No. 36 De mon triste is a beautiful and virtuosic piece of music that showcases Canova da Milano's skill as a composer and lutenist. Its use of ornamentation and harmony make it a unique and interesting work that is still enjoyed by lute players and enthusiasts today.

More....