Composer

:

Domenico Scarlatti

Genre

:

Keyboard

Style

:

Sonata

Average_duration

:

5:28

Domenico Scarlatti's Sonata for keyboard in E minor, K. 147, L. 376, is a solo keyboard piece that was composed in the early 18th century. The exact date of composition is unknown, but it is believed to have been written between 1720 and 1730. The sonata is one of Scarlatti's most popular works and is frequently performed by pianists and harpsichordists. The sonata is in three movements, with the first and third movements in E minor and the second movement in E major. The first movement is marked Allegro and is characterized by its lively and energetic tempo. The movement features a driving rhythm and a series of rapid arpeggios that create a sense of urgency and excitement. The second movement, marked Andante, is more subdued and introspective. It features a lyrical melody that is played in the right hand over a simple accompaniment in the left hand. The third movement, marked Allegro, returns to the lively and energetic tempo of the first movement. It features a series of rapid runs and arpeggios that showcase the technical virtuosity of the performer. One of the most notable characteristics of Scarlatti's Sonata in E minor is its use of the keyboard's full range. The piece features a wide range of dynamics and articulations, with the performer required to play both loud and soft passages, as well as staccato and legato notes. The sonata also features Scarlatti's signature use of ornamentation, with trills, mordents, and other embellishments adding to the piece's virtuosic character. The Sonata for keyboard in E minor, K. 147, L. 376, was likely composed for Scarlatti's own use, as he was an accomplished keyboard player and often performed his own works. The piece has since become a staple of the keyboard repertoire and is frequently performed and recorded by pianists and harpsichordists around the world. Its lively and energetic character, technical demands, and expressive qualities continue to make it a favorite among performers and audiences alike.

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