Composer

:

Alfred Schnittke

Genre

:

Choral

Style

:

Choral

Compose Date

:

1988

The 'Penitential Psalms' is a choral work composed by Alfred Schnittke in 1988. It was premiered in Moscow on 21st October 1988, by the USSR Ministry of Culture Chamber Choir, conducted by Valery Polyansky. The work is based on the seven penitential psalms from the Old Testament, which are traditionally used in Christian liturgy during the season of Lent. The 'Penitential Psalms' is divided into seven movements, each corresponding to one of the seven psalms. The first movement, based on Psalm 6, is characterized by a somber and mournful tone, with the choir singing in unison and accompanied by sparse, dissonant chords on the piano. The second movement, based on Psalm 32, is more upbeat and lively, with the choir singing in a more complex and polyphonic style. The third movement, based on Psalm 38, is one of the most striking and intense movements of the work. It features a solo soprano singing a haunting melody over a dissonant and chaotic choral background. The fourth movement, based on Psalm 51, is more subdued and introspective, with the choir singing in a hushed and reverent tone. The fifth movement, based on Psalm 102, is characterized by a sense of urgency and desperation, with the choir singing in a frenzied and chaotic style. The sixth movement, based on Psalm 130, is more contemplative and meditative, with the choir singing in a slow and mournful style. The final movement, based on Psalm 143, is a triumphant and joyful conclusion to the work, with the choir singing in a more upbeat and celebratory style. Overall, the 'Penitential Psalms' is a powerful and emotionally charged work that showcases Schnittke's mastery of choral composition. The work is characterized by its use of dissonance, complex polyphony, and a wide range of vocal techniques, including solo and choral singing, spoken word, and whispering. The work is a testament to Schnittke's ability to create music that is both deeply spiritual and emotionally resonant.

More....