Composer

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Heinrich Scheidemann

Genre

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Keyboard

Style

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Keyboard

Average_duration

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6:50

Heinrich Scheidemann was a German composer and organist who lived from 1595 to 1663. He was a student of Jan Pieterszoon Sweelinck, the famous Dutch composer and organist, and is considered one of the most important composers of the North German organ school. One of Scheidemann's most famous works is "De ore prudentis procedit mel (after Lassus)," which is a set of variations on a motet by the Flemish composer Orlando di Lasso. The piece was composed in the early 17th century and premiered in Hamburg, where Scheidemann was the organist at the St. Catherine's Church. The piece is divided into six movements, each of which is based on a different section of the original motet. The first movement is a prelude that sets the tone for the rest of the piece. It features a lively and virtuosic organ solo that introduces the main theme of the piece. The second movement is a fugue that is based on the first section of the motet. It features a complex and intricate counterpoint that showcases Scheidemann's skill as a composer and organist. The third movement is a variation on the second section of the motet. It features a slower and more contemplative melody that is accompanied by a rich and harmonious organ accompaniment. The fourth movement is a toccata that is based on the third section of the motet. It features a fast and lively organ solo that is full of virtuosic flourishes and technical challenges. The fifth movement is a variation on the fourth section of the motet. It features a more subdued and introspective melody that is accompanied by a delicate and intricate organ accompaniment. The final movement is a fugue that is based on the fifth section of the motet. It features a complex and intricate counterpoint that builds to a powerful and triumphant conclusion. Overall, "De ore prudentis procedit mel (after Lassus)" is a masterful work that showcases Scheidemann's skill as a composer and organist. It is a complex and intricate piece that is full of virtuosic flourishes and technical challenges, and it is considered one of the most important works of the North German organ school.

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