Composer

:

Lili Boulanger

Genre

:

Choral

Style

:

Psalm

Average_duration

:

21:29

Lili Boulanger's 'Psalm 130 Du fond de l'abime' is a choral work that was composed in 1915. It was premiered on March 5, 1917, at the Salle Gaveau in Paris, conducted by Désiré-Émile Inghelbrecht. The piece is divided into three movements, with a total duration of approximately 15 minutes. The first movement, marked 'Lent et recueilli' (slow and solemn), begins with a somber and mournful melody in the lower voices, representing the depths of the abyss. The upper voices enter with a prayerful melody, expressing the psalmist's cry for mercy. The two melodies intertwine and build in intensity, culminating in a powerful climax before subsiding into a quiet and reflective ending. The second movement, marked 'Animé et très rythmé' (lively and very rhythmic), is a scherzo-like section that contrasts with the first movement's solemnity. The choir sings a lively and rhythmic melody, accompanied by a driving piano part. The music is full of energy and vitality, representing the psalmist's hope and trust in God's mercy. The final movement, marked 'Très lent et recueilli' (very slow and solemn), returns to the somber mood of the first movement. The choir sings a melody that is reminiscent of the opening, but with a sense of resignation and acceptance. The music builds to a climax before subsiding into a quiet and peaceful ending, representing the psalmist's trust in God's forgiveness and redemption. Overall, 'Psalm 130 Du fond de l'abime' is a deeply emotional and expressive work that showcases Lili Boulanger's skill as a composer. The piece is characterized by its use of contrasting moods and textures, as well as its powerful choral writing. It remains a beloved work in the choral repertoire and a testament to Boulanger's talent and legacy.

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