Composer

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Georges I. Gurdjieff/Thomas de Hartmann

Genre

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Keyboard

Style

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Keyboard

Average_duration

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4:16

'Sainte Affirmation, Sainte Négotiation, Sainte Réconciliation' is a musical composition by Georges I. Gurdjieff and Thomas de Hartmann. The piece was composed in the early 20th century and premiered in Paris in 1923. It is part of a larger body of work known as the Gurdjieff/de Hartmann music, which consists of over 200 pieces composed by the duo. The composition is divided into three movements, each with its own distinct characteristics. The first movement, 'Sainte Affirmation,' is characterized by a strong, assertive melody that is repeated throughout the piece. The melody is accompanied by a driving rhythm that creates a sense of urgency and determination. The overall effect is one of confidence and conviction. The second movement, 'Sainte Négotiation,' is more introspective and contemplative. The melody is more subdued, and the rhythm is slower and more deliberate. The overall effect is one of reflection and introspection, as if the listener is being invited to consider their own beliefs and values. The third movement, 'Sainte Réconciliation,' is a synthesis of the first two movements. The melody is more complex and layered, and the rhythm is more varied and dynamic. The overall effect is one of reconciliation and harmony, as if the listener is being invited to find a balance between their own beliefs and values and those of others. Overall, 'Sainte Affirmation, Sainte Négotiation, Sainte Réconciliation' is a powerful and evocative composition that invites the listener to reflect on their own beliefs and values and to find a sense of harmony and balance in their lives.

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