Composer

:

Domenico Scarlatti

Genre

:

Keyboard

Style

:

Sonata

Compose Date

:

1756 - 1757

Average_duration

:

3:52

Domenico Scarlatti's Sonata for keyboard in E major, K. 381, L. 225, is a solo keyboard work that was composed in the early 18th century. The exact date of composition is unknown, but it is believed to have been written between 1735 and 1740. The sonata is one of Scarlatti's most popular works and is frequently performed by pianists and harpsichordists today. The sonata is in three movements, with a total playing time of approximately 10 minutes. The first movement is marked Allegro, and is characterized by its lively and energetic tempo. The movement is in binary form, with two contrasting sections that are repeated. The first section features a lively melody that is played in the right hand, while the left hand provides a steady accompaniment. The second section is more subdued, with a slower tempo and a more contemplative melody. The second movement is marked Andante, and is a slower and more introspective piece. The movement is in ternary form, with a central section that contrasts with the outer sections. The melody is played in the right hand, with the left hand providing a simple accompaniment. The movement is notable for its use of ornamentation, with trills and other embellishments adding to the overall texture of the piece. The final movement is marked Allegro, and is a lively and energetic piece that brings the sonata to a close. The movement is in binary form, with two contrasting sections that are repeated. The first section features a lively melody that is played in the right hand, while the left hand provides a steady accompaniment. The second section is more subdued, with a slower tempo and a more contemplative melody. Overall, Scarlatti's Sonata for keyboard in E major, K. 381, L. 225, is a virtuosic and technically demanding work that showcases the composer's skill as a keyboardist and composer. The sonata is notable for its use of ornamentation, its lively and energetic tempo, and its overall sense of playfulness and joy. It remains a popular work in the keyboard repertoire today, and is frequently performed and recorded by pianists and harpsichordists around the world.

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