Composer

:

Dietrich Buxtehude

Genre

:

Choral

Style

:

Mass

Average_duration

:

8:49

Dietrich Buxtehude's 'Missa all brevis, BuxWV 114' is a choral work composed in the late 17th century. The piece is believed to have been written in the 1680s, during Buxtehude's tenure as the organist at the Marienkirche in Lübeck, Germany. The 'Missa all brevis' is a short mass, consisting of only four movements: Kyrie, Gloria, Sanctus, and Agnus Dei. The 'Missa all brevis' is characterized by its concise and direct musical style. Buxtehude's use of polyphony and counterpoint is evident throughout the piece, with each movement featuring intricate vocal lines that weave together to create a rich and complex texture. The Kyrie is a somber and introspective movement, with the choir singing in unison before breaking into a more complex polyphonic texture. The Gloria is a joyful and exuberant movement, with the choir singing in a lively and celebratory manner. The Sanctus is a more contemplative movement, with the choir singing in a slower and more meditative style. The Agnus Dei is a peaceful and serene movement, with the choir singing in a gentle and soothing manner. The 'Missa all brevis' premiered in Lübeck, likely at the Marienkirche where Buxtehude was the organist. The piece was likely performed by the church choir, which was renowned for its high level of musical skill. The 'Missa all brevis' was well-received by audiences and critics alike, and it has since become one of Buxtehude's most popular choral works. Overall, the 'Missa all brevis, BuxWV 114' is a masterful example of Buxtehude's skill as a composer. The piece is characterized by its intricate vocal lines, rich polyphonic textures, and concise musical style. Despite its brevity, the 'Missa all brevis' is a powerful and moving work that continues to be performed and admired by musicians and audiences around the world.

More....