Vladimir Horowitz
Variations on a Theme from Bizet's "Carmen"
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Composer:Vladimir HorowitzGenre:KeyboardStyle:VariationsCompose Date:1926Average_duration:3:49Vladimir Horowitz's "Variations on a Theme from Bizet's Carmen" is a piano composition that was composed in 1947. The piece was premiered by Horowitz himself on November 9, 1947, at Carnegie Hall in New York City. The composition is made up of a theme and eleven variations, each of which showcases Horowitz's virtuosic piano playing. The theme of the piece is taken from the famous aria "L'amour est un oiseau rebelle" from Bizet's opera Carmen. Horowitz's variations on the theme are characterized by their technical difficulty and their use of complex harmonies and rhythms. The first variation, for example, features rapid arpeggios and runs up and down the keyboard, while the second variation is marked by its use of syncopated rhythms and dissonant chords. Throughout the piece, Horowitz demonstrates his mastery of the piano, using a wide range of techniques to create a variety of textures and moods. The third variation, for example, is marked by its use of delicate, shimmering arpeggios, while the fourth variation is characterized by its thunderous chords and dramatic flourishes. The fifth variation is a lyrical and expressive adagio, while the sixth variation is a playful scherzo that features rapid runs and trills. The seventh variation is marked by its use of syncopated rhythms and jazzy harmonies, while the eighth variation is a virtuosic tour-de-force that showcases Horowitz's incredible speed and dexterity. The ninth variation is a hauntingly beautiful and introspective nocturne, while the tenth variation is a fiery and passionate finale that brings the piece to a thrilling conclusion. Throughout the piece, Horowitz's use of dynamics and phrasing is masterful, creating a sense of drama and tension that keeps the listener engaged from beginning to end. Overall, Horowitz's "Variations on a Theme from Bizet's Carmen" is a stunning showcase of his virtuosic piano playing and his ability to create a wide range of moods and textures through his use of harmony, rhythm, and dynamics. The piece remains a beloved and frequently performed work in the piano repertoire.More....
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