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Ferruccio Busoni
Siegfrieds Trauermarsch aus der Götterdämmerung, KiV B111
Works Info
Composer
:
Ferruccio Busoni
Genre
:
Keyboard
Style
:
Requiem
Compose Date
:
1883
Publication Date
:
1883
Average_duration
:
9:07
Ferruccio Busoni's "Siegfrieds Trauermarsch aus der Götterdämmerung, KiV B111" is a composition that was written in 1904. It is a transcription of the funeral march from Richard Wagner's opera "Götterdämmerung," which is the final installment of his epic "Ring Cycle." The premiere of Busoni's transcription took place in Berlin in 1905. The piece is divided into three movements. The first movement is a somber funeral march that begins with a mournful melody played by the cellos and basses. The music gradually builds in intensity as the rest of the orchestra joins in, creating a powerful and emotional sound. The second movement is a quieter, more introspective section that features a solo violin playing a haunting melody. The final movement returns to the funeral march theme, but this time it is played with even greater intensity and passion. One of the characteristics of Busoni's transcription is his use of orchestration. He expands upon Wagner's original score, adding new layers of sound and complexity to the music. For example, he includes a prominent role for the harp, which adds a shimmering, ethereal quality to the music. He also uses the full range of the orchestra to create a rich, full-bodied sound. Another characteristic of the piece is its emotional intensity. Busoni's transcription captures the raw power and emotion of Wagner's original music, conveying the sense of loss and mourning that permeates the funeral march. The music is both grand and intimate, with moments of quiet reflection and explosive bursts of sound. Overall, "Siegfrieds Trauermarsch aus der Götterdämmerung, KiV B111" is a masterful transcription that captures the essence of Wagner's music while adding Busoni's own unique touch. It is a powerful and moving piece that continues to be performed and admired by audiences around the world.
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