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Carl Philipp Emanuel Bach
Sonata for keyboard in B minor, H. 36, Wq. 49/6
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Works Info
Composer
:
Carl Philipp Emanuel Bach
Genre
:
Keyboard
Style
:
Keyboard
Compose Date
:
1742
Publication Date
:
1744
Average_duration
:
19:04
Movement_count
:
3
Movement ....
The Sonata for keyboard in B minor, H. 36, Wq. 49/6, is a solo keyboard work composed by Carl Philipp Emanuel Bach. It was composed in 1765 and premiered in the same year. The sonata consists of three movements: Allegro di molto, Andante, and Allegro. The first movement, Allegro di molto, is in B minor and is characterized by its lively and energetic nature. The movement begins with a fast and virtuosic keyboard passage that sets the tone for the rest of the movement. The main theme is then introduced, which is characterized by its rhythmic drive and syncopated accents. The movement features frequent changes in dynamics and texture, with moments of intense drama and moments of delicate lyricism. The second movement, Andante, is in D major and provides a contrast to the first movement with its slower and more introspective nature. The movement is characterized by its expressive melody and delicate ornamentation. The middle section of the movement features a more virtuosic keyboard passage, but the overall mood remains contemplative and introspective. The final movement, Allegro, is in B minor and returns to the energetic and lively nature of the first movement. The movement is characterized by its driving rhythm and virtuosic keyboard passages. The main theme is introduced in the opening measures and is developed throughout the movement with frequent changes in texture and dynamics. The movement ends with a virtuosic keyboard passage that brings the sonata to a thrilling conclusion. Overall, the Sonata for keyboard in B minor, H. 36, Wq. 49/6, is a masterful work that showcases Carl Philipp Emanuel Bach's skill as a composer and his ability to create music that is both technically demanding and emotionally expressive. The sonata is a testament to Bach's unique style, which combines elements of the Baroque and Classical periods to create a sound that is distinctly his own.
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