Composer

:

Jean-Henri d'Anglebert

Genre

:

Keyboard

Style

:

Jig / Gigue

Publication Date

:

1689

Average_duration

:

1:57

Jean-Henri d'Anglebert was a French harpsichordist and composer who lived from 1629 to 1691. He was a student of the famous harpsichordist and composer, Jacques Champion de Chambonnières, and later became the court harpsichordist for Louis XIV. One of his most famous works is the "Gigue de Mr de Lully in G minor," which is part of his collection of harpsichord pieces called "Pièces de Claveçin." The "Gigue de Mr de Lully in G minor" was composed in the late 17th century and was likely premiered at the court of Louis XIV. It is a lively and energetic piece that is typical of the gigue dance form. The gigue was a popular dance in the Baroque era and was often used as the final movement in a suite of dances. The "Gigue de Mr de Lully in G minor" is in binary form, meaning it has two distinct sections that are repeated. The first section is in G minor and features a lively and syncopated melody that is typical of the gigue dance form. The second section is in G major and features a more lyrical melody that is played in a more legato style. One of the characteristics of d'Anglebert's music is his use of ornamentation. Ornamentation was a common feature of Baroque music and was used to embellish the melody and add interest to the music. In the "Gigue de Mr de Lully in G minor," d'Anglebert uses a variety of ornaments, including trills, mordents, and turns, to add interest to the melody. Another characteristic of d'Anglebert's music is his use of harmony. In the "Gigue de Mr de Lully in G minor," he uses a variety of chords and chord progressions to create a sense of tension and release. He also uses chromaticism, which is the use of notes outside of the key signature, to add interest to the harmony. Overall, the "Gigue de Mr de Lully in G minor" is a lively and energetic piece that is typical of the gigue dance form. It showcases d'Anglebert's skill as a composer and harpsichordist and is a testament to the rich musical culture of the Baroque era.

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