Composer

:

Joaquín Turina

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

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1927

Average_duration

:

24:54

Joaquín Turina's 'Verbena madrileña, Op. 42' is a suite for orchestra that was composed in 1920. The piece was premiered on May 12, 1921, in Madrid, Spain, by the Madrid Symphony Orchestra under the direction of Bartolomé Pérez Casas. The suite consists of six movements, each of which is inspired by the lively and colorful atmosphere of the Madrid festival known as the Verbena de la Paloma. The first movement, titled 'El Patio de la Verbena' (The Verbena Courtyard), sets the scene for the festivities with a lively and rhythmic introduction. The music is characterized by the use of castanets, tambourines, and other percussion instruments, as well as the use of Spanish folk melodies. The second movement, 'La Madrileñita' (The Little Madrilenian), is a charming and playful waltz that features a solo violin and a solo clarinet. The melody is simple and catchy, and the orchestration is light and delicate. The third movement, 'La Cañi' (The Gypsy Woman), is a fiery and passionate dance that features the use of flamenco rhythms and melodies. The music is characterized by the use of the guitar and the castanets, as well as the use of the Spanish Phrygian mode. The fourth movement, 'Los Madriles' (The Madriles), is a lively and energetic dance that features the use of the tambourine and the castanets. The music is characterized by the use of syncopated rhythms and the use of Spanish folk melodies. The fifth movement, 'El Chulapón' (The Dandy), is a humorous and playful dance that features the use of the clarinet and the trumpet. The music is characterized by the use of syncopated rhythms and the use of Spanish folk melodies. The final movement, 'La Verbena de la Paloma' (The Verbena of the Paloma), is a grand and festive finale that brings together all the themes and rhythms of the previous movements. The music is characterized by the use of the full orchestra, including brass and percussion instruments, and the use of Spanish folk melodies. Overall, 'Verbena madrileña, Op. 42' is a colorful and lively suite that captures the spirit of the Madrid festival. The music is characterized by the use of Spanish folk melodies, flamenco rhythms, and syncopated rhythms, as well as the use of percussion instruments such as the castanets and the tambourine. The suite is a testament to Turina's skill as a composer and his love for the music and culture of his native Spain.

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