Composer

:

Arnold Schoenberg

Genre

:

Choral

Style

:

Choral

Compose Date

:

1925

Average_duration

:

11:41

Movement_count

:

3

Movement ....

Arnold Schoenberg's 'Satires (3), Op. 28' is a set of three songs for voice and piano, composed in 1912. The work was premiered in Vienna in 1913, with the composer himself accompanying the singer. The three movements are titled "Der neue Klassizismus" (The New Classicism), "Der sickerte Komponist" (The Leaking Composer), and "Der beschimpfte Liebhaber" (The Insulted Lover). The first movement, "Der neue Klassizismus," is a satirical commentary on the trend towards neoclassicism in music at the time. The music is characterized by its use of traditional forms and structures, such as the sonata form, but with a modern twist. The vocal line is angular and dissonant, with frequent leaps and unexpected intervals, while the piano accompaniment is sparse and fragmented. The second movement, "Der sickerte Komponist," is a parody of the composer who is constantly struggling to come up with new ideas. The music is characterized by its use of fragmented melodies and abrupt changes in tempo and mood. The vocal line is often interrupted by the piano, which plays short, disjointed phrases that seem to leak out of the composer's mind. The final movement, "Der beschimpfte Liebhaber," is a humorous take on the theme of unrequited love. The music is characterized by its use of exaggerated dynamics and sudden shifts in mood. The vocal line is full of exaggerated sighs and moans, while the piano accompaniment is full of dramatic flourishes and sudden stops. Overall, 'Satires (3), Op. 28' is a witty and satirical work that showcases Schoenberg's mastery of both traditional and modern musical forms. The work is a testament to the composer's ability to push the boundaries of musical expression while still maintaining a sense of humor and playfulness.

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