Composer

:

Heinrich Schütz

Genre

:

Choral

Style

:

Choral

Compose Date

:

1645

Average_duration

:

5:26

Heinrich Schütz's 'Christ ist erstanden von der Marter alle, SWV 470 (partially lost)' is a sacred vocal work that was composed in the early 17th century. The exact date of composition is not known, but it is believed to have been written between 1615 and 1625. The work was premiered in Dresden, Germany, where Schütz was the court composer for the Elector of Saxony. 'Christ ist erstanden von der Marter alle' is a multi-movement work that was originally composed for six voices and basso continuo. However, only three of the movements have survived to the present day. The first movement is a lively and joyful setting of the Easter hymn 'Christ ist erstanden'. The second movement is a more contemplative setting of the text 'O Tod, wo ist dein Stachel nun?' (O death, where is thy sting now?). The third movement is a setting of the text 'Halleluja, Lobet den Herren' (Hallelujah, praise the Lord), which is a joyful and celebratory conclusion to the work. The surviving movements of 'Christ ist erstanden von der Marter alle' showcase Schütz's skill as a composer of sacred music. The first movement is characterized by its lively rhythms and joyful harmonies, which reflect the triumph of Christ over death. The second movement is more introspective, with a slower tempo and more complex harmonies that reflect the contemplative nature of the text. The third movement is a joyful and celebratory conclusion to the work, with lively rhythms and exuberant harmonies that reflect the joy of the Easter season. Overall, 'Christ ist erstanden von der Marter alle' is a beautiful and uplifting work that showcases Schütz's skill as a composer of sacred music. While only three of the movements have survived to the present day, they provide a glimpse into the beauty and complexity of Schütz's music, and serve as a testament to his enduring legacy as one of the greatest composers of the Baroque era.

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