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Aimé Maillart
Les Dragons de Villars
Works Info
Composer
:
Aimé Maillart
Genre
:
Opera
Style
:
Opera
Les Dragons de Villars is an opera composed by Aimé Maillart, with a libretto by Eugène Cormon and Michel Carré. The opera was first performed on February 19, 1856, at the Opéra-Comique in Paris, France. The plot of the opera revolves around a young woman named Madeleine, who is in love with a soldier named Saint-Brice. However, Madeleine's father, the mayor of the town of Villars, has promised her hand in marriage to a wealthy landowner named Marquis de la Corrège. The story takes place during the reign of Louis XV, and the town of Villars is occupied by a regiment of soldiers known as the Dragons. The Dragons are led by a strict and stern captain named Valentin, who is feared by the townspeople. Madeleine and Saint-Brice plan to elope, but their plans are foiled when Valentin discovers their plot. Valentin is initially angry with Madeleine, but he eventually falls in love with her himself. Meanwhile, the Marquis de la Corrège arrives in Villars, and he is immediately smitten with Madeleine. Madeleine is torn between her love for Saint-Brice and her duty to her father and the town. The situation is further complicated when a group of bandits led by a man named Gaspard begin to terrorize the town. Valentin and the Dragons are called upon to protect the town, and they are successful in defeating the bandits. In the end, Madeleine chooses to marry Valentin, and Saint-Brice leaves Villars to join the army. The opera features a number of memorable musical numbers, including the famous aria "Seul pour lutter," which is sung by Valentin in the second act. Les Dragons de Villars is a three-act opera that features a number of different musical styles, including grand opera, comic opera, and vaudeville. The opera was a popular success when it premiered in 1856, and it remained a staple of the French opera repertoire for many years. The opera's themes of love, duty, and honor continue to resonate with audiences today, making it a timeless classic of the operatic canon.
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