Composer

:

Charles Ives

Genre

:

Vocal

Style

:

Song: Art Song

Compose Date

:

1920

Publication Date

:

1922

Average_duration

:

1:27

"On the Counter, S. 320" is a piano piece composed by Charles Ives in 1920. The piece premiered in 1921 at a concert in New York City. It consists of three movements, each with its own distinct characteristics. The first movement, marked "Moderato con moto," begins with a lively and syncopated melody in the right hand, accompanied by a steady bass line in the left hand. The melody is interrupted by sudden pauses and unexpected accents, creating a sense of playfulness and unpredictability. The middle section of the movement features a slower, more lyrical melody, which gradually builds in intensity before returning to the opening theme. The second movement, marked "Allegro," is a fast and frenetic scherzo. The right hand plays a rapid, staccato melody while the left hand provides a driving bass line. The movement is characterized by its constant motion and sense of urgency, with sudden shifts in dynamics and tempo adding to the overall sense of excitement. The final movement, marked "Adagio," is a slow and contemplative piece. The melody is simple and plaintive, with a sense of longing and nostalgia. The harmonies are rich and complex, with unexpected chord progressions and dissonances adding to the emotional depth of the piece. The movement gradually builds in intensity before fading away into a quiet and introspective coda. Overall, "On the Counter, S. 320" is a virtuosic and challenging work for the piano, showcasing Ives' innovative approach to harmony, rhythm, and form. The piece is characterized by its playful and unpredictable melodies, driving rhythms, and complex harmonies, making it a quintessential example of Ives' unique style.

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