Composer

:

Ottorino Respighi

Genre

:

Vocal

Style

:

Vocal Music

Compose Date

:

1930

Average_duration

:

1:03

"Le fontanelle, P. 164" is a composition by the Italian composer Ottorino Respighi. It was composed in 1923 and premiered on March 11, 1924, in Rome, Italy. The piece is a suite for small orchestra and is divided into four movements. The first movement, "La fontana del Tritone al mattino," is a depiction of the Triton Fountain in Rome at dawn. The music is light and playful, with a sense of anticipation and excitement. The use of woodwinds and strings creates a sense of movement and fluidity, as if the water in the fountain is dancing. The second movement, "La fontana del Tritone al meriggio," is a more intense and dramatic depiction of the same fountain, but at noon. The music is more forceful and energetic, with a sense of urgency and power. The use of brass and percussion adds to the sense of drama and intensity. The third movement, "La fontana di Villa Medici al tramonto," is a more peaceful and reflective piece, depicting the fountain at the Villa Medici at sunset. The music is slower and more contemplative, with a sense of nostalgia and longing. The use of harp and strings creates a sense of serenity and tranquility. The final movement, "La fontana di Trevi al mezzogiorno," is a lively and festive piece, depicting the Trevi Fountain at noon. The music is upbeat and celebratory, with a sense of joy and exuberance. The use of brass and percussion creates a sense of grandeur and excitement. Overall, "Le fontanelle, P. 164" is a beautiful and evocative piece of music that captures the essence of Rome's fountains. Respighi's use of orchestration and musical motifs creates a sense of place and time, transporting the listener to the heart of the Eternal City.

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