Basil Harwood
Organ Sonata No. 1 in C sharp minor, Op. 5
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Composer:Basil HarwoodGenre:KeyboardStyle:SonataAverage_duration:20:02Movement_count:3Movement ....Basil Harwood's Organ Sonata No. 1 in C sharp minor, Op. 5, was composed in 1897 and premiered on May 12, 1898, at St. Paul's Cathedral in London. The sonata consists of three movements: Allegro moderato, Adagio, and Allegro con fuoco. The first movement, Allegro moderato, begins with a dramatic introduction featuring a descending chromatic scale in the pedals. The main theme is then introduced in the manuals, which is characterized by its rhythmic drive and use of syncopation. The development section explores various harmonic and melodic ideas before returning to the main theme in the recapitulation. The movement ends with a coda that features a virtuosic pedal solo. The second movement, Adagio, is a lyrical and expressive piece that showcases the organ's ability to create a wide range of colors and textures. The movement begins with a simple melody in the manuals accompanied by a soft string stop in the pedals. The melody is then developed and expanded upon, with the use of lush harmonies and delicate ornamentation. The movement ends with a quiet and introspective coda. The final movement, Allegro con fuoco, is a lively and energetic piece that features a driving rhythm and virtuosic passages for both hands and feet. The movement begins with a fanfare-like introduction before launching into the main theme, which is characterized by its use of syncopation and rapid figurations. The development section explores various harmonic and rhythmic ideas before returning to the main theme in the recapitulation. The movement ends with a triumphant coda that features a brilliant pedal solo. Overall, Harwood's Organ Sonata No. 1 in C sharp minor, Op. 5, is a virtuosic and expressive work that showcases the capabilities of the organ as a solo instrument. The sonata's use of rich harmonies, intricate textures, and rhythmic drive make it a staple of the organ repertoire.More....
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