Composer

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Heinrich Scheidemann

Genre

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Keyboard

Style

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Keyboard

Average_duration

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18:54

Heinrich Scheidemann was a German composer and organist who lived from 1595 to 1663. He was a prominent figure in the North German organ school, which was a group of composers and performers who were active in the 17th century. Scheidemann's Magnificat for organ on tone 2 is one of his most famous works. The Magnificat for organ on tone 2 was composed by Scheidemann in the early 17th century. The exact date of composition is not known, but it is believed to have been written sometime between 1615 and 1620. The piece is written for organ and is based on the Magnificat, which is a hymn of praise to the Virgin Mary. The Magnificat for organ on tone 2 is divided into six movements, each of which corresponds to a different section of the Magnificat. The first movement is an introduction, which sets the tone for the rest of the piece. The second movement is a fugue, which is based on the first line of the Magnificat. The third movement is a chorale, which is based on the second line of the Magnificat. The fourth movement is a toccata, which is based on the third line of the Magnificat. The fifth movement is a trio, which is based on the fourth line of the Magnificat. The final movement is a fugue, which is based on the fifth line of the Magnificat. The Magnificat for organ on tone 2 is characterized by its use of counterpoint and its virtuosic organ writing. Scheidemann was known for his skill as an organist, and this piece showcases his abilities as a composer as well. The piece is also notable for its use of chromaticism, which was a relatively new technique at the time. Overall, the Magnificat for organ on tone 2 is a significant work in the North German organ school and is still performed and studied today. Its use of counterpoint, virtuosic organ writing, and chromaticism make it a challenging and rewarding piece for organists to play.

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