Composer

:

Maurice Delage

Genre

:

Vocal

Style

:

Vocal Music

Compose Date

:

1912

Average_duration

:

9:09

Movement_count

:

4

Movement ....

Maurice Delage's 'Quatre poèmes hindous' is a song cycle composed in 1912. The premiere of the work took place in Paris in the same year. The cycle consists of four movements, each of which is based on a poem from the collection 'Les Chants du crépuscule' by the Indian poet Rabindranath Tagore. The poems are translated into French by André Gide. The first movement, 'Madras', is a slow and contemplative piece that features a solo violin and a muted piano. The violin plays a simple melody that is repeated throughout the movement, while the piano provides a gentle accompaniment. The overall effect is one of peacefulness and introspection. The second movement, 'Lahore', is a more lively and rhythmic piece that features a solo voice and piano. The vocal line is characterized by its use of Indian melodic patterns and ornamentation, while the piano provides a driving accompaniment. The movement is marked by its energy and vitality. The third movement, 'Bénarès', is a slow and mournful piece that features a solo cello and piano. The cello plays a haunting melody that is accompanied by a simple piano accompaniment. The movement is marked by its sense of sadness and loss. The final movement, 'Jeypur', is a fast and lively piece that features a solo voice and piano. The vocal line is characterized by its use of Indian melodic patterns and ornamentation, while the piano provides a driving accompaniment. The movement is marked by its energy and exuberance. Overall, 'Quatre poèmes hindous' is a work that is characterized by its use of Indian musical elements and its sense of introspection and contemplation. The work is notable for its use of solo instruments and its simple, yet effective, accompaniments.

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