Composer

:

Buxheimer Orgelbuch Anonymous

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

ca. 1470

Average_duration

:

2:03

'Redeuntes in Mi' is a composition from the Buxheimer Orgelbuch, an anonymous collection of organ music from the 15th century. The exact date of composition is unknown, but it is believed to have been written in the mid-15th century. The piece is written for the organ and consists of three movements. The first movement is a prelude in E minor, which sets the mood for the piece. It is a slow and contemplative introduction that features a simple melody played in the right hand over a sustained bass line in the left hand. The second movement is a fugue in E minor, which is the main body of the piece. It is a complex and intricate composition that showcases the composer's skill in counterpoint. The fugue is based on a short theme that is introduced in the first few bars and then developed throughout the piece. The final movement is a postlude in E minor, which brings the piece to a close. It is a lively and energetic conclusion that features a virtuosic display of organ technique. 'Redeuntes in Mi' is a typical example of the organ music of the 15th century. It is characterized by its use of polyphony, which is the simultaneous sounding of multiple independent melodies. The piece also features a strong sense of rhythm and a clear harmonic structure. The composer uses a variety of techniques to create interest and variety in the music, such as imitation, inversion, and augmentation. Overall, 'Redeuntes in Mi' is a beautiful and complex composition that showcases the skill and artistry of the anonymous composer. It is a testament to the rich tradition of organ music in the 15th century and continues to be appreciated by musicians and audiences alike.

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