Composer

:

György Ligeti

Genre

:

Keyboard

Style

:

Etude

Compose Date

:

1988 - 1994

Average_duration

:

1:25

György Ligeti's "Etudes, Book 2 No. 14 Coloana Infinita" is a contemporary classical composition that premiered in 1994. The piece is part of Ligeti's second book of etudes, which he composed between 1988 and 1994. "Coloana Infinita" is the fourteenth and final etude in the second book, and it is one of Ligeti's most complex and challenging works. The piece is divided into three movements, each of which explores different aspects of Ligeti's unique musical language. The first movement, marked "Allegro con moto," is a frenetic and virtuosic display of technical skill. The pianist is required to play rapid, intricate patterns that move across the keyboard in a dizzying array of rhythms and accents. Ligeti's use of polyrhythms and irregular meters creates a sense of constant motion and instability, as if the music is always on the verge of falling apart. The second movement, marked "Andante con moto," is a stark contrast to the first. Here, Ligeti slows the tempo and creates a more contemplative atmosphere. The pianist plays long, sustained chords that gradually shift in harmony and color. The effect is hypnotic and otherworldly, as if the listener is being transported to a different realm. The final movement, marked "Allegro molto," returns to the frenzied energy of the first. Ligeti pushes the pianist to their limits with a series of rapid-fire runs and arpeggios that seem to spiral out of control. The music builds to a frenetic climax before abruptly ending on a single, sustained note. Throughout "Coloana Infinita," Ligeti showcases his mastery of complex rhythms, harmonies, and textures. The piece is a testament to his innovative approach to composition, which draws on a wide range of influences from classical music, jazz, and world music. Despite its technical challenges, "Coloana Infinita" is a thrilling and rewarding work that continues to captivate audiences and pianists alike.

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