Composer

:

Boris Tishchenko

Genre

:

Symphony

Compose Date

:

1974

Average_duration

:

44:45

Movement_count

:

5

Movement ....

Symphony No. 5, Op. 67 is a composition by Boris Tishchenko, a Russian composer born in 1939. The symphony was composed in 1981 and premiered on December 17, 1982, in Leningrad (now St. Petersburg) by the Leningrad Philharmonic Orchestra under the direction of Yevgeny Mravinsky. The symphony consists of four movements, each with its own distinct character. The first movement, marked Allegro, begins with a powerful and dramatic theme played by the strings. This theme is then developed and expanded upon by the rest of the orchestra, creating a sense of tension and urgency. The movement ends with a return to the opening theme, but this time it is played in a more subdued and introspective manner. The second movement, marked Adagio, is a slow and melancholic piece that features a haunting melody played by the oboe. This melody is then taken up by the rest of the orchestra, creating a sense of sadness and longing. The movement ends with a return to the oboe melody, played in a more subdued and introspective manner. The third movement, marked Allegro molto, is a fast and energetic piece that features a lively and playful theme played by the woodwinds. This theme is then developed and expanded upon by the rest of the orchestra, creating a sense of joy and exuberance. The movement ends with a return to the opening theme, played in a more subdued and introspective manner. The fourth and final movement, marked Allegro con brio, is a triumphant and celebratory piece that features a majestic theme played by the brass. This theme is then developed and expanded upon by the rest of the orchestra, creating a sense of grandeur and majesty. The movement ends with a triumphant restatement of the opening theme, bringing the symphony to a powerful and satisfying conclusion. Overall, Symphony No. 5, Op. 67 is a powerful and emotional work that showcases Tishchenko's skill as a composer. The symphony is characterized by its use of dramatic themes, expansive orchestration, and a sense of urgency and intensity that runs throughout the entire work.

More....