Composer

:

Gustav Holst

Genre

:

Concerto

Style

:

Concerto

Compose Date

:

1911

Average_duration

:

9:51

Invocation, Op.19/2, H. 75 is a choral work composed by Gustav Holst in 1911. It was premiered on October 10, 1912, at the Queen's Hall in London, conducted by the composer himself. The piece is part of a set of six choral works called Choral Hymns from the Rig Veda, which are based on ancient Hindu texts. The piece is divided into three movements, each with its own distinct character. The first movement, marked "Allegro moderato," is a lively and rhythmic invocation to the gods. The choir sings in unison, with the occasional solo voice rising above the rest. The music is characterized by its use of syncopation and irregular meters, which give it a sense of energy and excitement. The second movement, marked "Andante con moto," is a more contemplative and introspective section. The choir sings in four-part harmony, with the melody passing between the different sections. The music is characterized by its use of modal harmonies and subtle shifts in tonality, which give it a sense of mystery and depth. The final movement, marked "Allegro," is a return to the energetic and rhythmic style of the first movement. The choir sings in unison, with the occasional solo voice rising above the rest. The music is characterized by its use of driving rhythms and complex harmonies, which give it a sense of power and intensity. Overall, Invocation, Op.19/2, H. 75 is a powerful and evocative choral work that showcases Holst's skill as a composer. Its use of Hindu texts and modal harmonies give it a unique and exotic flavor, while its rhythmic energy and complex harmonies make it a thrilling and engaging piece of music.

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