Composer

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György Ligeti

Genre

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Keyboard

Style

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Keyboard

Average_duration

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1:38

György Ligeti's 'Etude No. 18 Canon' is a piece of music that was composed in 1985. It was premiered in 1986 by the composer himself at the Salzburg Festival. The piece is part of a set of 18 etudes that Ligeti composed between 1985 and 2001. 'Etude No. 18 Canon' is a complex and intricate piece of music that is characterized by its use of canonic techniques. The piece is divided into three movements, each of which explores different aspects of the canon. The first movement of the piece is marked "Allegro con moto" and is characterized by its use of a fast and lively tempo. The movement features a series of canons that are played in different registers and at different speeds. The canons are often layered on top of each other, creating a complex and intricate texture. The second movement of the piece is marked "Andante con moto" and is characterized by its use of a slower tempo. The movement features a series of canons that are played in a more subdued and contemplative manner. The canons are often played in a staggered fashion, creating a sense of tension and release. The third movement of the piece is marked "Vivace" and is characterized by its use of a fast and lively tempo. The movement features a series of canons that are played in a more playful and whimsical manner. The canons are often played in a call-and-response fashion, creating a sense of dialogue between the different voices. Overall, 'Etude No. 18 Canon' is a challenging and complex piece of music that showcases Ligeti's mastery of canonic techniques. The piece is characterized by its intricate textures, complex rhythms, and playful use of counterpoint. It is a testament to Ligeti's innovative approach to composition and his ability to push the boundaries of contemporary music.

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