Composer

:

Maurice Duruflé

Genre

:

Keyboard

Style

:

Fugue

Compose Date

:

1962

Average_duration

:

3:25

Maurice Duruflé's 'Fugue on the Carillon of the Cathedral of Soissons, Op. 12' is a piece for organ that was composed in 1930. It was premiered on May 25, 1931, at the Église Saint-Eustache in Paris, France. The piece is divided into three movements, with the first and third movements being fugues and the second movement being a chorale. The first movement of the piece is a fugue that is based on the carillon of the Cathedral of Soissons. The carillon is a set of bells that are played by a keyboard, and Duruflé uses the unique sound of the carillon to create a complex and intricate fugue. The movement begins with a simple statement of the theme, which is then developed and expanded upon throughout the rest of the movement. The fugue is characterized by its use of counterpoint and its complex harmonies. The second movement of the piece is a chorale that is based on the hymn tune "Veni Creator Spiritus." The movement is much slower and more contemplative than the first movement, and it features a simple and beautiful melody that is accompanied by rich harmonies. The movement is characterized by its use of pedal tones and its use of chromaticism. The third movement of the piece is another fugue, this time based on the carillon of the Cathedral of Soissons in a different key. The movement is similar in structure to the first movement, with a simple statement of the theme followed by its development and expansion. The movement is characterized by its use of syncopation and its use of chromaticism. Overall, Duruflé's 'Fugue on the Carillon of the Cathedral of Soissons, Op. 12' is a complex and intricate piece that showcases the composer's skill in writing for the organ. The piece is characterized by its use of counterpoint, its complex harmonies, and its use of chromaticism. The piece is still performed today and is considered to be one of Duruflé's most important works.

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