Composer

:

Franz Joseph Haydn

Genre

:

Concerto

Style

:

Concerto

Compose Date

:

ca. 1786

Average_duration

:

13:04

Movement_count

:

3

Movement ....

Franz Joseph Haydn's Concerto No. 4 for 2 lire organizzate in F major, H. 7h/5, was composed in the late 1760s or early 1770s. It premiered in the court of Prince Nikolaus Esterházy, where Haydn was employed as the court composer. The concerto is written for two lire organizzate, which were a type of hurdy-gurdy with a keyboard attachment that allowed for greater control over the instrument's sound. The concerto is divided into three movements: Allegro moderato, Adagio, and Allegro. The first movement is in sonata form, with a lively and energetic opening theme that is passed between the two lire organizzate. The second theme is more lyrical and features a solo for one of the instruments. The development section explores the themes further, with intricate counterpoint and virtuosic passages for both instruments. The movement ends with a recapitulation of the opening theme. The second movement, Adagio, is a slow and expressive aria-like piece. The lire organizzate play a simple and elegant melody, accompanied by a gentle pizzicato from the orchestra. The movement is notable for its use of chromaticism and unexpected harmonic shifts. The final movement, Allegro, is a lively and playful rondo. The lire organizzate take turns playing the main theme, which is a cheerful and catchy melody. The movement features several episodes that explore different keys and moods, including a brief section in the minor mode. The concerto ends with a lively coda that brings the piece to a satisfying close. Overall, Haydn's Concerto No. 4 for 2 lire organizzate in F major is a charming and delightful work that showcases the unique sound and capabilities of the lire organizzate. The concerto is characterized by its lively and energetic themes, expressive melodies, and intricate counterpoint. It remains a popular work in the hurdy-gurdy repertoire and is a testament to Haydn's skill as a composer.

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