Franz Joseph Haydn
Symphony No. 55 in E flat major, H. 1/55 "The Schoolmaster"
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Камерный оркестр Ленинградской филармонии п/у Юрия ТемиркановаMay 29, 2020
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Composer:Franz Joseph HaydnGenre:SymphonyStyle:SymphonyCompose Date:1774Average_duration:21:27Movement_count:4Movement ....Franz Joseph Haydn's Symphony No. 55 in E flat major, also known as "The Schoolmaster," was composed in 1774. It premiered in Vienna, Austria, on February 10, 1775. The symphony is divided into four movements, each with its own unique characteristics. The first movement, marked "Allegro di molto," begins with a lively and energetic theme played by the strings. The theme is then passed on to the woodwinds and brass, creating a sense of excitement and anticipation. The movement features a number of dynamic changes, with sudden shifts from loud to soft and back again. The overall mood is one of joy and celebration. The second movement, marked "Adagio," is a slow and contemplative piece. It begins with a simple melody played by the strings, which is then taken up by the woodwinds. The movement is characterized by its use of chromaticism, with the melody moving up and down the scale in a series of half-steps. The overall effect is one of melancholy and introspection. The third movement, marked "Menuetto," is a lively dance in triple meter. It features a playful and upbeat melody played by the strings, which is then echoed by the woodwinds and brass. The movement is characterized by its use of syncopation, with the melody often falling on the off-beat. The overall mood is one of light-heartedness and humor. The final movement, marked "Presto," is a fast and frenetic piece. It begins with a driving rhythm played by the strings, which is then taken up by the woodwinds and brass. The movement is characterized by its use of counterpoint, with multiple melodies weaving in and out of each other. The overall effect is one of excitement and energy. Overall, "The Schoolmaster" is a lively and engaging symphony that showcases Haydn's skill as a composer. Its use of dynamic changes, chromaticism, syncopation, and counterpoint make it a standout work in the classical repertoire.More....
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