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Charles Ives
Symphony No. 1, for orchestra in D minor, S. 1
Works Info
Composer
:
Charles Ives
Genre
:
Symphony
Style
:
Symphony
Compose Date
:
1898 - 1902
Publication Date
:
1971
First Performance
:
Apr 26, 1953
Average_duration
:
37:25
Movement_count
:
4
Movement ....
Symphony No. 1, for orchestra in D minor, S. 1, is the first symphony composed by the American composer Charles Ives. The symphony was composed between 1898 and 1902, and it premiered on November 22, 1906, in New York City. The symphony is divided into four movements, and it is characterized by its use of dissonance, polytonality, and unconventional harmonies. The first movement, marked "Allegro con fuoco," begins with a dramatic introduction featuring the full orchestra. The main theme is introduced by the strings and is characterized by its use of syncopation and dissonance. The movement features a number of contrasting sections, including a lyrical second theme and a frenzied development section. The movement ends with a triumphant restatement of the main theme. The second movement, marked "Andante," is a lyrical and introspective movement featuring a solo violin. The movement is characterized by its use of polytonality, with the solo violin playing in a different key than the rest of the orchestra. The movement builds to a climax before returning to the introspective mood of the opening. The third movement, marked "Scherzo," is a lively and playful movement featuring a number of unconventional rhythms and harmonies. The movement is characterized by its use of syncopation and irregular meters, and it features a number of contrasting sections, including a lyrical trio section. The final movement, marked "Allegro molto," is a frenzied and chaotic movement featuring a number of unconventional harmonies and rhythms. The movement is characterized by its use of polytonality and dissonance, and it features a number of contrasting sections, including a lyrical second theme and a frenzied development section. The movement ends with a triumphant restatement of the main theme from the first movement. Overall, Symphony No. 1 is a groundbreaking work that pushed the boundaries of traditional classical music. Its use of dissonance, polytonality, and unconventional harmonies paved the way for the development of modernist music in the 20th century.
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