Composer

:

Heinrich Schütz

Genre

:

Choral

Style

:

Choral

Publication Date

:

1625

Average_duration

:

7:07

Movement_count

:

2

Movement ....

Heinrich Schütz's 'Ego dormio, SWV 63-64 (Op. 4/11-12)' is a sacred composition for double choir and basso continuo. It was composed in 1619 and premiered in the same year in Dresden, Germany. The piece is divided into two movements, each with its own distinct characteristics. The first movement, 'Ego dormio', is a setting of Psalm 121. It begins with a slow and solemn introduction, with the two choirs singing in unison. The basso continuo provides a steady pulse, creating a sense of stability and security. The choirs then alternate in singing the verses of the psalm, with each choir taking turns to sing the antiphonal responses. The music is characterized by its rich harmonies and expressive dissonances, which create a sense of tension and release. The second movement, 'Surgite, pastores', is a setting of Luke 2:8-14, the story of the shepherds' visit to the baby Jesus. It begins with a lively and energetic instrumental introduction, with the basso continuo and violins playing a joyful dance-like melody. The choirs then enter, singing in a lively and rhythmic style. The music is characterized by its lively rhythms, playful melodies, and joyful harmonies. The piece ends with a triumphant and exultant chorus, with both choirs singing in unison. Overall, 'Ego dormio, SWV 63-64 (Op. 4/11-12)' is a masterful example of Schütz's skill in composing sacred music. The piece showcases his ability to create rich and expressive harmonies, as well as his skill in setting text to music. The two movements are contrasting in style and mood, yet they are united by a common theme of faith and devotion. The piece remains a beloved work in the choral repertoire, and a testament to Schütz's enduring legacy as a composer.

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