Composer

:

Dietrich Buxtehude

Genre

:

Keyboard

Style

:

Chorale Prelude

Average_duration

:

4:11

Dietrich Buxtehude's 'Chorale prelude for organ in C major, BuxWV 212, Nun lob mein Seele den Herren' is a beautiful piece of music that was composed in the late 17th century. The piece is a chorale prelude, which means that it is based on a hymn tune. The hymn tune that Buxtehude used for this piece is 'Nun lob mein Seele den Herren', which is a German hymn that translates to 'Now praise, my soul, the Lord'. The piece is composed for the organ and is divided into four movements. The first movement is a slow and stately introduction that sets the tone for the rest of the piece. The second movement is a lively and joyful section that features the hymn tune in the upper voice of the organ. The third movement is a slower and more contemplative section that features a beautiful melody in the lower voice of the organ. The final movement is a triumphant and celebratory section that brings the piece to a close. One of the characteristics of Buxtehude's music is his use of counterpoint. Counterpoint is the art of combining two or more melodies in a way that is harmonically interesting and pleasing to the ear. Buxtehude was a master of counterpoint, and this is evident in 'Nun lob mein Seele den Herren'. The piece features multiple melodies that are woven together in a way that creates a rich and complex texture. Another characteristic of Buxtehude's music is his use of ornamentation. Ornamentation is the art of adding decorative flourishes to a melody. Buxtehude was known for his use of ornamentation, and this is evident in 'Nun lob mein Seele den Herren'. The piece features multiple instances of ornamentation, which add to the beauty and complexity of the music. 'Nun lob mein Seele den Herren' was premiered in the late 17th century, and it has since become one of Buxtehude's most famous works. The piece is a testament to Buxtehude's skill as a composer and his ability to create music that is both beautiful and complex.

More....